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How to sharpen a drawing pencil with a craft knife and sandpaper

In short: Cut away from yourself with a sharp craft knife, shaving only the wood in small, shallow strokes while you turn the pencil. Leave the graphite uncut, then rub it on fine sandpaper at a low angle, turning as you go, for a long, fine point.

By Published 28 October 20265 min readPublisher: Saadat Rafiq

✓ Reviewed by Muqadas Fatima, BFA · 30 October 2026

Illustration of a woman at a table shaving the wood from a pencil with a craft knife, the blade pointing away from her, shavings falling onto a sheet of scrap paperIllustration

At a glance

You need
Sharp craft knife, fine sandpaper or a sandpaper block, scrap paper, a cutting mat
Goal
Cut away the wood only, not the graphite (QAGOMA)
Knife rule
Cut away from your body (Mont Marte) or to the side (Greenwich), never towards your hand
Sandpaper
Pencil at about 10 to 15 degrees, turning it (Mont Marte)
Advice from
QAGOMA, Mont Marte, NSEAD, University of Greenwich, NHS, Faber-Castell, read 28 October 2026
Checked
October 2026

A knife-sharpened pencil gives you a long, exposed point that can draw fine lines with the tip and broad tone with the side. QAGOMA's drawing series calls the knife the more effective way to sharpen graphite drawing pencils, and the aim is to cut away the wood only, not the graphite. The knife is the risky part, so read the safety box before you pick it up.

Which point do you want?

Long, round point

For fine lines and detail. Knife the wood back, then turn the pencil as you rub it on sandpaper (Mont Marte).

Chisel point

For crisp edges and broad tone. Shade one side flat on sandpaper at an angle. The edge gives fine lines and the flat side gives tone (QAGOMA).

Soft charcoal or pastel pencil

Same method, but tiny cuts and very light pressure, because the core is soft (Mont Marte).

How to sharpen the pencil

  1. Set up over a cutting mat with a fresh blade.

    Illustration of a cutting mat with a sheet of scrap paper on it, a craft knife lying beside it with its blade covered
    Illustration

    Sit at a table, put scrap paper on the mat to catch shavings and graphite dust, and check the blade is sharp. If it drags or tears the wood, change the blade before you start (Mont Marte).

    You should see: a clear space in front of you, with nothing in the path of the blade.

  2. Careful: the blade moves away from you, and your thumb stays behind it. Never put a finger in front of the edge.

    Hold the pencil pointing away from you and rest the blade on the wood.

    Illustration of two hands: one holds a pencil pointing away from the body, the other holds a craft knife with the blade resting at a shallow angle on the wood, the pencil-hand thumb pressing on the back of the blade
    Illustration

    Hold the pencil firmly in one hand. Rest the blade at a shallow angle on the wood, a little way back from the existing tip. Mont Marte suggests angling the blade at the edge of the wood and using your thumb to control it: the thumb of the pencil hand pushes gently on the back of the blade, so the stroke is short and controlled.

    You should see: the edge of the blade pointing away from you and away from your fingers.

  3. Shave off the wood in small, shallow strokes, turning the pencil.

    Illustration of a pencil being turned between strokes as thin curls of wood come off under the blade, making an even cone shape
    Illustration

    Take a thin slice of wood with each push, then turn the pencil a little and take the next one. Mont Marte's advice is small, shallow cuts and rotating the pencil for even slices. Don't press hard: the wood comes off more easily than you'd think.

    You should see: thin curls of wood and an even cone of bare wood forming all the way round.

  4. Expose the graphite, but don't cut into it.

    Illustration of a close-up pencil tip: a smooth wooden cone ending in a long length of exposed grey graphite with a blunt end
    Illustration

    Keep shaving the wood until a length of graphite sticks out. QAGOMA's point is to cut away only the wood and not the graphite itself, so stop the blade where the wood ends. How much to expose is your choice; a length about as long as the wooden cone is a sensible start (our suggestion, not from a source). A very long point snaps more easily if you press hard.

    You should see: bare graphite with a blunt end, standing out of a clean wooden cone.

  5. Rub the graphite on fine sandpaper at a low angle, turning as you go.

    Illustration of a hand holding a pencil almost flat against a small sandpaper block and twisting it as it moves, a grey smudge forming on the sandpaper
    Illustration

    Hold the pencil low, about 10 to 15 degrees from the sandpaper, and move it back and forth while twisting it so it wears evenly (Mont Marte). For a chisel point, don't turn it: shade one side flat on the paper at an angle (QAGOMA).

    You should see: a fine, tapered point, or a flat chisel face if you chose that.

  6. Wipe the point, then put the knife away safely.

    Illustration of a sharpened pencil beside a short, fine test line on scrap paper, with the capped craft knife and the sandpaper block packed in a small zip bag
    Illustration

    Draw a few strokes on scrap paper to take off loose graphite dust before you touch your drawing. Retract or cap the blade. Keeping the sandpaper block in a small bag stops the dust from getting onto your work (both our tips).

    You should see: a clean, fine test line, and the blade covered.

How to tell it worked

  • The wood is cut back evenly all the way round, with no deep gouges.
  • The graphite has no knife cuts on it (QAGOMA).
  • The point draws a fine line from the tip and broad tone from the side (QAGOMA).
  • The blade is covered and the shavings are in the bin.

If something goes wrong

What happensWhat it meansWhat to do
The blade catches and tears the woodThe blade is blunt, or the cut is too deepChange the blade and take shallower cuts (Mont Marte)
The graphite keeps snappingToo much pressure, or a soft coreUse a lighter hand, especially on charcoal and pastel pencils (Mont Marte)
The point is lopsidedThe pencil wasn't turned evenlyRotate a little after every cut and on the sandpaper (Mont Marte)
You are pushing hard to cutBlunt blade: a slip is more likelyStop and fit a new blade (NSEAD)
You cut yourself-Stop the bleeding, clean it and cover it (NHS). Call 999 or go to A&E if it won't stop bleeding, is very large or deep, is a bad cut on your palm, or has something stuck in it; don't pull the object out (NHS)

Questions readers ask

Why use a knife instead of a sharpener?

A knife lets you remove only the wood and leave the graphite, so you get a long exposed point and waste less lead. QAGOMA's drawing series notes that ordinary sharpeners grind the graphite away as well, so pencils get used up faster.

Can children do this?

Mont Marte says to use a hobby knife only under adult supervision. For younger children, a good handheld sharpener plus a sandpaper block is the safer choice.

Does this work for charcoal and pastel pencils?

Yes, but use a much lighter hand. Mont Marte says pastel, charcoal, woodless and watercolour pencils have soft cores, so take small, shallow cuts and don't press hard.

What grit of sandpaper should I use?

Fine paper is best for the final point. Faber-Castell's sandpaper block comes with a fine and a coarse strip; no source we read names an exact grit, so start with the finest paper you have and only use coarse paper to remove a lot of graphite quickly.